From Public Obscenities, at Theatre for a New Audience. Photo: Hollis King Plays tend to teach you how to watch them within the first five minutes. The good ones do it deliberately, the not-so-good ones less so. The fiction writer Rob Spillman calls it the “handshake.” A writer introduces themself — tells you, through the… Continue reading Theater Review: Shayok Chowdhury’s ‘Public Obscenities’